Showing posts with label survival. Show all posts
Showing posts with label survival. Show all posts

Tuesday, 30 December 2014

The Woman with the Story of Cancer

Picture from The Sentinel

The feeling to educate the world invoked her memoir book There’s Something I’ve Been Dying To Tell You. Of course, the title brings you into a state of motivation. You can hardly gaze away without trying to find out what it is all about. Actually, it is the true life story of Lynda Bellingham who was diagnosed with cancer.
Unarguably, there are numerous stories of diagnosed cancer in the world. But the story of Lynda Bellingham is so relevant, motivated, informative, educative and rarely.

In 2013 Lynda Bellingham was diagnosed with cancer. Sadly enough, she kept the details of her illness private. But the feeling to educate the world and the value of honesty extremely instigated her to write the story of her life since she was diagnosed, her family and how together they came to terms with a future they hadn’t planned. And how did Lynda become an intellectual writer at this time? It is in the fact that she stood up in literary term to spread her infectious warmth and humor bringing light to a very dark time.

According to her publisher, Lynda is described as, ‘Lynda Bellingham is a tremendously gifted storyteller with a rich collection of tales of love, loss and laughter and this book brings her kind heart, courage and emotion to the page in vivid detail. Lynda’s story is an affecting and at times heart-breaking one but it is so often laugh-out-loud too and ultimately the way Lynda tells her life story will serve as a great inspiration.’
Of course it is a great inspiration to read the story of Lynda. The Daily Telegraph described her as , ‘Her brilliantly titled book, There’s Something I’ve Been Dying to Tell You, charts the unravelling of that delusion, and her determination to wrest a meaningful life out of sudden chaos. By turns, it is riotous, deeply serious, practical and sad. Reading it is like being at her kitchen table with a glass of wine to hand. Not just listening to the expletives of pain or the dawning of reality, but rooting for her when the treatment appears to be working, sharing her fears as her life expectation dwindles, and rocking with laughter at the absurdities that go with having the “least sexy” cancer of them all. Her description of the mechanics of dealing with a stoma bag in the ladies’ at Buckingham Palace, when she accepted her OBE in March, reads like a comedy scrip.’

Biographical Notes
Lynda has enjoyed a career spanning forty five years. Her roles have covered drama as Helen Herriott in All Creatures Great and Small and comedy in her own series Faith in the Future, which won Best Comedy in 1998. She also managed to give us a twirl in Strictly Come Dancing and plenty of lip as a Loose Woman for six years. She created the role of Chris in the stage version of Calendar Girls and after a successful run in the West End went on to spend four years playing to full houses in a nationwide tour and she is still loved and remembered as the long-suffering mum in the OXO commercials. Lynda has previously written Lost and Found which was a Sunday Times bestseller and she has enjoyed bestselling success with her fiction writing too.Her real life family brings her great joy and she lives in north London with her youngest son, Robert, and her stepson Bradley, while her eldest son Michael lives just round the corner. She finally found true happiness with her husband Michael Pattemore and they were married in 2008 on her sixtieth birthday.

David Isoje

How George Orwell Captured Africa Politics In the 1940s


Eric Blair, globally recognized as George Orwell in the globe of literary, was a political literature writer, intellectual scribbler, a humanitarian critic and unprejudiced author. At the time of dire, he wrote the most stimulating and incisive articles in those years of totalitarianism, censuring the abusers in power, of maliciousness between power and the common citizens, opposing inequality and dehumanization. Of course, the world would never forget his sardonic book, Animal Farm.

Literature itself is an imperative subject. It is an art, a history, a religion, a philosophy, a humanity, and even politics. To comprehend the idea of literature, one cannot elude the three genres that comprise literature itself as a theme. These three genres – prose, drama, and poetry – have significant effects on humanity. Prose, which is the foremost aspect of reaching multiple readers, deals with fiction and nonfiction stories. It is written in a narrative technique. Drama, on the other hand, involves the dialogues between actors on stage, dramatizations and presentations. The stage that the actors stand for performance represents the world. While poetry, the third genre in this article, reflects or expresses the feelings of the writer. It is written in stanzas, lyrically, poetically and artistically. All human beings engaged in these three genres of literature.
But within these three genres of literature, there are various classifications with a philosophy that denotes each category. One of them is called a satire. According to Wikipedia, satire is a  genre of literature, and sometimes graphic and performing arts, in which vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, corporations, government or society itself, into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit as a weapon and as a tool to draw attention to both particular and wider issues in society. Unarguably, satire is the most severe genus for any writer. But this is what George Orwell represented in the 1940s.

The philosophy of George Orwell can indeed spark a painstaking rejoin. According to him, telling the truth in our society is a revolutionary act. As he puts it, ‘in a time of universal truth, telling the truth is a revolutionary act.’ In another context, George was quoted as, “what I have most wanted to do throughout the past ten years is to make political writing into an art. My starting point is always a feeling of partisanship, a sense of injustice. When I sit down to write a book, I do not say to myself, ‘I am going to produce the work of art.; I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing. But I could not do the work of writing a book, or even a long magazine article, if it were not also an aesthetic experience.’

So we can see – an aesthetic experience, a lie that I want to expose, a sense of injustice – and yes, these are the things that instigate writers of satire. And one way to present this picture is to study the works of George Orwell circumspectly. Therefore, Animal Farm is not just a book of some certain animals rebelling against the farmer, Mr. Jones, and setting up their own farm. It is an allegory, a fable and a satire. It is about humanity as a whole. It is about the dishonest in power in the high places, about the masses in the hands of the crooked masters. It is about the Russian Revolution of 117, and probably, what may happen to people in the terrain of their leaders.

In the book, the behaviors of people, the power of belief, the kowtow of power by the masses, were all represented in the characterizations of the animals. Of course, after driving Mr. Jones from the farm by the animals, and Napoleon, a large, rather fierce-looking Berkshire boar, the only Berkshire on the farm, not much of a talker, but with a reputation for getting his own way ascended a leader; the animals were in another world of dictatorship and ideology. One of them was to say that all animals are equal, but some animals are more equal than the others. But before the revolution that drove the owner of the farm away, the belief of the animals was that all ‘animals are equal.’ Of course, the weak animals had no options; they had to go along with Napoleon’s policies. This Napoleon was Joseph Stalin, dictator of the Soviet Union from the mid-1920s until his death in 1953.

For instance, look at how many stories of betrayal exhibited by political leaders in Africa. They use the masses as their ladder to power, but at the end, they dashed their hopes of the people by leaving them in isolation and deprivation. The people do the solidarity, voting earnestly, but at the end, they are left alone in wailing. This brings the ideology of Old Major, the old boar on the Manor Farm who first invented the idea of revolution to the animals. ‘Never listen to them when they tell you that Man and animals have a common interest, that the prosperity of animal is the prosperity of others. It is all lies. Man serves the interest of himself.’’

Who is the Man here in the word of Major? The Man here, are the political leaders, the abusers of power who flourished on people’s brain with suitable words to achieve their aim. They used all sorts of orientations to brainwash the masses into believing them, and the masses are left in the hand of gullibility. And the media, which hold the most effective right to censure the government, are in a state of pathetic. Many of them are not independent. The government controls every aspect of the media – the radio, the newspapers, and the TV. What about education, agriculture, law, entertainment, and infrastructures? All are manipulated by the government. As Orwell puts it, ‘he who controls the past controls the future; and he who controls the present controls the past.’

Of course, the government controls everything, including the liberty of the people. You read some books in school because the government approved them. You are permitted to work because you are allowed by the government. You are disbanded and cannot say your opinion because the government of your country never condones it. Look at how many journalists that have been killed in Nigeria by political suspected leaders?
George Orwell, who was not only a novelist but also a columnist, must have studied the downtrodden elements that were unleashed on the masses in the years of totalitarianism. But not alone that, George wrote the literature of all time, about the struggling of the masses in the hands of the masters, about the people’s liberty and freedom of expression, about the eradication of discrimination and dehumanization, prejudiced and deprivation. George Orwell, therefore, wrote the Africa politics, the abusers of power.
One of the predicaments of Africans is that they never learn from literature. Literature is not just an entertainment; it is our life.

By David Isoje

Saturday, 27 September 2014

A Poem to a friend



It is now that I begin to feel
 the ache in this worldly amity
like the malevolence women
 that are not necessary to avoid.
My heart has shattered,
 tingling and perilous to assemble
 like a pieces of a glass cup.
I bid you with a perpetual farewell,
wishing you not return anymore.
What I have, you unleashed to the world.
What I trust, you could not keep.
You stood at the threshold
 of my heart, and disseminated hateful message
 between me and the others,
becoming an indelible mark of exasperation.
 I pray for our visages
 not to set at each other again.
And with this nefarious  memo,
I regret ted that I made the best blunder
from our preceding  rogue relationship.
Goodbye forever, I can’t help it anymore!